Verve – Life Goals

Growing up I wanted to be a published short story writer.  My stories would be published in genre collections and magazines.  The stories are collected in anthologies, where a shared cosmology – Pentapolis of the Valley – links the shorts, cycles, and novellas.  My fiction career allows me to publish articles and essays in literary journals.  Favorite topics of mine include: Emily Bronte, graphic novels, social equity, and the works of Caitlin R. Kiernan.  I write cultural think pieces for mainstream magazine and newspapers.  Eventually, my non-fiction works are collected.

The success of writing career gives me the ability to move to New York City, in its West Village.  I get to rub shoulders with artists at weekend parties while spending weekdays in discussion with critics.

My bibliography allows me opportunities to be guest editor, playwright, and historian.  I spend 1 year as a guest editor-in-chief at Heavy Metal magazine, selecting critically acclaimed European &Asian translations and indie creators.  I lead the magazine in an open submission that publishes two unpublished creative teams.  Working at Heavy Metal allows me to work with the premier graphic, fine, and sequential artists in illustrating my NEON/ECN short stories.  The decisions acquisitions and discoveries that I make have me become a curator of graphic fiction.


Manhattan Dreams

Art by Joe Kelly
Art by Joe Kelly

Manhattan was the setting where I could pursue being queerly perfect.  Manhattan was the place I wanted to have my original introduction to homosexual subculture.  New York City’s celebration of subculture and minorities was to be the place where I’d be amongst others who actively kept their queerness secret from family and friends because society won’t accept it.

With a false identity in place, I adventured beyond campus-boys to older gay males.  I quickly accepted invitations, hoping that I’d be a step closer to NYC-escape. Behind my more sophisticated and cool mask older men seemed more worldly and attractive. The Jodie Dallas specter faded from the peripheral of my concept of homosexuality, Sex & the City experiences that I had dreamed of seemed a greater possibility.  Instead of the Manhattan fantasy – theatre, dinners, and art galleries – I repeated my suburban youth in reverse.  This version though didn’t synchronize with the ticky-tacky boxes.  Now I saw behind the neighbors’ curtains, and I didn’t like it.  Calling them dates is using the term at its loosest.  The men that I went home with would close their curtains, citing their need for privacy.  As my perceptions grew I came to see “privacy” as a bent mirror to my rejection of the homosexual label.

Undergrad Realization

There was freedom to undergrad life away from home near New York City, of a world that I had dreamed deeply about escaping to.  Manhattan was the setting where I could pursue being queerly perfect.  I have always had dreams of living in Manhattan, beginning with the rollicking technicolor adventure of Disney’s Oliver & Company that created the landscape that fueled my queer escape fantasies.  Oliver & Company painted the picture of New York City, and Sex & the City populated the city with the experiences and people I wanted.  Sex & the City’s high playful fashion, wit, and comradery showed a New York City was the world that was tailored to me.

Knowing that NYU or other colleges within Manhattan or New York City itself were beyond my reach, I became an alum of SUNY @ Purchase.  In the shadow of the city I wanted to call home, I freely made my homosexuality explicit and explore relationship dynamics.  In college, I found that perfect hand transmogrified into the antithesis of high school, evolving to be the artistic and eccentric.  Outside of high school, perfect was chased by girls and boys, but perfect boys were more likely to chase boys back.  Perfect was still not the quietly humorous one who liked school and read in his dorm – he was cool though, which afforded me the opportunity to be entertained by a peer as a possible date.

Refreshed by a gust of attention, I maintained a crush on Marc, the friend of the students on the floor below me, and visited every weekend.  My dormmates knew Marc’s friends on the floor below through a mutual friend from Long Island; guess New York City isn’t that big of a city. I bought weed for the first time to impress them, in an effort to appear more appealing to Marc.  My crush was an obvious fact that quickly dissipated by his rejection (I wasn’t his type, and he preferred guys more seasoned than I was).  His friends felt sympathy for me, revealing that Marc gets crushed on a lot.  I thought how if I wasn’t special or a first to Marc I’d move on and I was over him.  We hung out after and it was clear we had nothing in common other than our mutual friends.  During that friendship, I saw that beneath bravado, was a desperate want for stability with a boyfriend, just as I did.