Life is a Treadmill

My life is a treadmill where stationary is a synonym for sedentary.  I am constantly bogged down in the planning and minutia of life.  The big picture is in the plan, but the trees are too enticing.  I focused on the patterns, designs, clashing, and mixing I lose the trail through the woods. It took all my strength and energy to stay focused and not become distracted by gears in the clock.

Life requires experiences that provide a potpourri of emotions, and not the safe experiences that fall into the lap when home and being at work and exercising and reading.  Instead I have created discord between my routine and my goals, breeding familiarity as a crutch, and not a platform for change has become exhausting.  Structure is meant to create a safe framework for risks that have not been taken, avoiding repeating past cycles of self-abandonment, bending backwards to create a new personality that is more accommodating.

Goals center a being.  They keep everything in perspective, allowing balance to be the dictator of motivation.  The goals of my life morph but have always been rooted in the idea of creating equity.  The tool I have always wanted to use is writing.  Life is at times hacking away with the tools to see the path.

Maintaining goals’ timeline is a tricky proposition, finding the balance between what is necessary for life (job, family and/or friend commitments) with the artistic (experiences, solitude, and time).


A Beginning Path to Balance

I have dawdled and diddled to put the new home together.  The furniture is in place, the dishes are away, and the closet is full of clothes.  My walls though seem extra-ordinarily empty and sparse.  I have yet to achieve a home that is centering.  Calming, yes.  Centering, no.

Centering requires balance, but that is still on the “Working On” list.  My mind is constantly five steps ahead of where I need to be, which is evident by my home – piles of “To Do” are everywhere; and each seems as though it never shrinks.

I am constantly bogged down in the planning and minute of life.  The big picture is in the plan, but the trees are too enticing.  It takes all my strength and energy to stay focused and not become distracted by gears in the clock.  As I focus on the patterns, designs, clashing, and mixing I lose the trail through the woods.

Goals center a being.  They keep everything in perspective, allowing balance to be the dictator of motivation.  The goals of my life morph but have always been rooted in the idea of creating equity.  The tool I have always wanted to use is writing.  Life is at times hacking away with the tools to see the path.

Over time I have learned that it is okay to feel lost and drift from day to day, ignorant of balance.  I began doing this by actively choosing to go through the two boxes of print outs and read, which allowed me to see how much of my fictional cosmology has been told.  I began reserving weekends to take inventory of what I have produced.  I learned that days do not need to be a constant rush towards the goal line, but can be relaxed and taking inventory.  It is on those days, taking stock of what has been accomplished, one can be humbled by the steps that have been taken; we can pat ourselves on our own back.

Verve – Life Goals

Growing up I wanted to be a published short story writer.  My stories would be published in genre collections and magazines.  The stories are collected in anthologies, where a shared cosmology – Pentapolis of the Valley – links the shorts, cycles, and novellas.  My fiction career allows me to publish articles and essays in literary journals.  Favorite topics of mine include: Emily Bronte, graphic novels, social equity, and the works of Caitlin R. Kiernan.  I write cultural think pieces for mainstream magazine and newspapers.  Eventually, my non-fiction works are collected.

The success of writing career gives me the ability to move to New York City, in its West Village.  I get to rub shoulders with artists at weekend parties while spending weekdays in discussion with critics.

My bibliography allows me opportunities to be guest editor, playwright, and historian.  I spend 1 year as a guest editor-in-chief at Heavy Metal magazine, selecting critically acclaimed European &Asian translations and indie creators.  I lead the magazine in an open submission that publishes two unpublished creative teams.  Working at Heavy Metal allows me to work with the premier graphic, fine, and sequential artists in illustrating my NEON/ECN short stories.  The decisions acquisitions and discoveries that I make have me become a curator of graphic fiction.

Meeting Joey

The winter break of my 20th birthday I met Joey Antinore.  It had been New Year’s Eve, at club Tilt.  I had been standing watching the drag show when I felt the back of my ear get flicked.  I turned around and said, “Hi.”

Joey explained he was following an impulse and immediately knew the type of person I was dealing with.

“Alright.”  And turned back around.

Joey got my attention again by asking if wanted to roll.

“Okay,” I answered.

For the longest time Joey Antinore was the elusive ideal; the one ex that all potential suitors were measured against.  In attempting to write down our first encounter I came to the realization that there was nothing epic, template worthy, about the encounter.  There was nothing grandiose or particularly outstanding about the relationship’s arc.  In fact, the mental glorification of that relationship and its beginning is rather obsessive.

What was it about the whole scenario that became #goals?  I wasn’t particularly happy.  When I recall the relationship with Joey, what comes to mind is his habit of telling him something, then he vehemently disagrees.  These weren’t ideological differences, or rooted in arcane knowledge.  Rather, disagreements came over individual rights and basic operations of politics and humanism.  We’d part in the morning for our separate work, and then return to each other that evening with Joey’s mind changed.  This change of mind arose because he had talked to his co-workers, who told him that he was in the wrong; that I was correct.  That was the routine of our relationship: Joey respected only his friends and their opinions, and not mine.  I never fully understood how and why Joey could never just have faith that I’d know something, or respect my stance as having validity.

Manhattan Dreams

Art by Joe Kelly
Art by Joe Kelly

Manhattan was the setting where I could pursue being queerly perfect.  Manhattan was the place I wanted to have my original introduction to homosexual subculture.  New York City’s celebration of subculture and minorities was to be the place where I’d be amongst others who actively kept their queerness secret from family and friends because society won’t accept it.

With a false identity in place, I adventured beyond campus-boys to older gay males.  I quickly accepted invitations, hoping that I’d be a step closer to NYC-escape. Behind my more sophisticated and cool mask older men seemed more worldly and attractive. The Jodie Dallas specter faded from the peripheral of my concept of homosexuality, Sex & the City experiences that I had dreamed of seemed a greater possibility.  Instead of the Manhattan fantasy – theatre, dinners, and art galleries – I repeated my suburban youth in reverse.  This version though didn’t synchronize with the ticky-tacky boxes.  Now I saw behind the neighbors’ curtains, and I didn’t like it.  Calling them dates is using the term at its loosest.  The men that I went home with would close their curtains, citing their need for privacy.  As my perceptions grew I came to see “privacy” as a bent mirror to my rejection of the homosexual label.

Authentic Wants in a Mate

If “funny” or “sense of humor” is wanted, then what kind of sense of humor/funny? Sarcastic? Dry? Goofy? Everyone wants someone that’s intelligent – who wants to talk to a bag of rocks?  There are different intelligences; emotional, scientific, inter/intrapersonal, etc. Are you emotionally strong and don’t need someone to consistently ask “what’s wrong” because doing so would drive you insane? Every preference is valid and worthy, appealing to Each of those senses of humor appeal to personal preferences and a personalized way through life that would make them (and oneself) more appealing to go through life’s hardships together. A relationship is more likely to implode when personalities don’t click because one, or both, do not know what it is that makes them comfortable, happy, and synchronicity.

Knowing traits are specifically wanted in a mate, removing the broad fantasy of idealized traits, and knowing specifically what balances or engages oneself will help avoid dating or marrying someone else’s mate.  One way to do this in modernity is to think deeply and critically about the media and experiences that are engaged in.  What about that TV show or song brought the emotional response?  What memories are triggered?  Connecting pass-time enjoyments to memories enables authentic and vibrant emotional responses, that inform decisions leading to agency in life.  Critically learning the triggered responses from accumulated experiences and cultivated media-preferences, it is possible to lean on our authentic selves and not imposed idealized expectations to find fulfillment.

Verve (5/08-5/12)

NERDSI exist in a state of constant heartbreak, longing to be within a cozy weekend bubble with another.  In the past I sunk under the weight of pursing others like a puppy only to not be selected; my authenticity – the interests, experiences, and beliefs – has always existed on the peripheral of popular.

An element of fear of abandonment became engrained in middle school when everyone began experimenting with relationship dynamics.  Every student appeared to pair-off, leaving me feeling alone.  During this delicate time, I turned to the people around me as models of domesticity, which did not perfectly reflect what felt natural to me.  In culture role-models were Ellen DeGeneres when she came out while I was in high school, but unfortunately her breezy character became heavy, angry, and hurt  The relationship her character presented was full of drama and bickering.  Queer as Folk on Showtime presented more of the same, but this time heavy drug use was included.  I was in college by that time and finally saw healthier homosexual relationships, through Will Graham, Will & Grace, was single through the majority of the show’s run, having serious relationships after the show found success.

The domesticity on Will & Grace was not perfection, but the characters created a bubble of playing house.  I wanted to emulate the relationships by running errands, sharing chores, and cooking together.  Our existence would be dictated by shared calendars and outings.  It would be teamwork and comradery.  I crafted doctored acceptable variations of myself, believing my exposed self would not be good enough.  The knowledge my authenticity granted was deferred to others in an effort to avoid insult and derision.  Receding behind partners’ goals I built up their hopes, while exploring how to play with the truth, creating chaos that would ultimately result in the relationship imploding.

Mindy Project’s Road to Authentic Expectations

The Mindy ProjectMindy Kaling and her show The Mindy Project is the Tuesday show that has kept me afloat through its 5 years; I will miss the show after it ends with the upcoming sixth season.  Mindy Kaling has crafted a model of modern dating and goal achieving for the Twenty-First Century.  Dr. Mindy Lahiri, Kaling’s character, was raised on romantic comedies with dreams of a Sex & the City life.  As Mindy experienced dating and professional life in the 21st Century was met with equal success and zany; Mindy was not the female lead that was successful at work and unlucky in love.  The Mindy Project traces Mindy’s dating adventures and mishaps and success moving away from imposed celebrity-rom-com fantasy world to realistic expectations based upon her own experiences.

Dr. Lahiri’s dating life reflected the process that many single adults must go through as they seek their ideal mate.  Throughout the course of the series Mindy begins her dating life with big eyes and rose-tinted glasses – she was Carrie searching for her Mr. Big, and nothing less would do.  As adults go through dating our list of traits wanted in another is extremely generic, stating broad character traits such as “attractive”, “funny”, “smart”.  In her unique way Mindy, also, is specific in her list-of-wants by associating each desired trait with a celebrity.  Mindy learns to create specificity in her desirable trait-list, through the boyfriends, and husband (then ex), as she travels through the show’s run.  Mindy began the show searching for her Bradley Cooper/Ryan Gosling-idealized, an old school alpha-male that would make the decisions in the relationship, and she ended up with Danny Castellano – who manipulated the relationship to push Mindy to abandon her work goals to be a stay at home mother.  Danny’s actions acted counter to the experiences that strengthened Mindy’s character, pushing her to remain a static character.  When she learned of Danny’s manipulations, rather than shrink and lean on her fantasies, Mindy chose to lean on herself and the goals she had developed through her experiences.  She chose to leave Danny based upon the cultivated, and critically examined, experiences she accumulated in The Mindy Project‘s acclaimed run, leading to a happier, more fulfilling and honest relationship with geeky, modern, and accepting fiancé Ben; whose personality and needs better balanced Mindy than Danny.

Oliver & Company



Just as Oliver was the remaining kitten in the box came to reflect the emotional isolation that came with identifying as queer and homosexual throughout middle and high school, watching other students pair off to experiment with the opposite sex, removing early relationship templates for later.  Being separated from his peers Oliver fell into friendship with Fagin and his dogs parallels the friends that homosexuals find in similar people, which could appear dangerous and scary for parents; either because of disapproval or knowing how difficult life would be for the child.  Then Oliver meets Jenny, the rich girl, who offers him the opportunity of life of acceptance, which is based upon the fact that Jenny doesn’t truly know Oliver other than she wants a kitten.  For queer identity development Jenny represents the dreams and goals that are imposed by the majority.  At this point Oliver, like young outsiders, is conflicted between the world they have discovered on their own and the heteronormative, and so chooses neither life, which endangers both.  Only at the end when both worlds, that Oliver doesn’t want to meet, do meet is he able to find happiness in his identity and create unique goals for himself.


Oliver & Company painted the picture of New York City that was populated with people that were similar to me.  New York City was a world that was tailored to me.




Queer Icon – Rihanna, Queen of Cool

Queer Icon - Rihanna, Queen of CoolRihanna epitomizes the queer cool icon.

No matter what Rihanna is doing, or where she is appearing, she owns what is occurring.  Rihanna has an agency over and openness about her sexuality, she has enormous grace and she’s immensely talented.  Her own transformation and artistic control mirrors the metamorphosis of gay identity.  Similar to how she felt controlled by the blueprint of Def Jam’s pop-princess homosexual and queer youth prescribe to labels and group mentality, dividing amongst terminology, titles, and descriptors.  Applying to the homosexual and queer labels takes the idea of who one should be without the process of figuring out the subtleties of identity.  As the queer identity enters the bigger world, either through college or independent living, a darker edge manifests itself, which can take the form of hard partying and sex to radical politicism.  Regardless of the form that it takes, at this juncture the identity takes the antithesis of who they previously exhibited themselves to be.  Rihanna reached this juncture in her own career when she released Good Girl Gone Bad, which was followed by Rated R where she, like queer identity, began separating from the molds and terminology that had been used in the construction of their identity.  What followed for both Rihanna and queer identity was the investigating of other labels, while still safely staying within expectations.  For Rihanna this changed with the release of Anti, when she had accumulated enough hit-maker cache to have control over how she presented her identity.  Queer identity development has a similar moment, when life experiences add up to acceptance on the level that one is accepted for the labels they self-apply, and the ones they do not.