A Vagabond’s Ways

A Vagabond's Ways            Pentapolis of the Valley’s number one vagabond dancehall is Etica, populated by the alienated, underweb-hackers, punks and clubbers equally.

The exterior of Etica is an uncomplicated warehouse, like any in Noex along Wuthering Canal.  The area began as an extension of Parkfront, which had been a vacation spot until it was overtaken by the 1899 formation of Landing Alley, the Valley’s main shopping district.

Underneath the dancehall are large drainages, returning water from the end of the alley-canals.  The mini-waterfalls were loud enough to be heard on the other side of the dancehall, where the line formed at the door of the once abandoned building.  It was originally constructed between 1843 and 1846, acting as a distribution for dry goods, and turned into a taxi depot in the 1930s.  It remained a depot until it was gutted by a fire in the 1960s.  Afterwards, the space was occupied by a seafood restaurant, a movie theatre, a dance school, and a bagel shoppe before being foreclosed during the recession of 2011.  Artistes and hackers made the warehouse their home and park during the years the building was foreclosed.  The hackers decorated the main floor with neon graffiti espousing integration with the underweb. In 2014 the squatter groups worked together to collect technology, drugs, and experiences to create a 24/7/365 model of communal vagabond culture.  The two social groups hybridized into a new caste of vagabonds, state identified as citizens lacking education, employment, or training – CLEET. They see the future as currency, founded in a belief in amalgamation leads to a better whole. Vagabonds believe the future belongs to them, that they do not have to adhere to a median standard life. Vagabonds spread their ideology by utilizing The Stream, further cultivating a sub-culture and style that capitalized in their outsider status. Then in 2043 FETCH magazine did a holiograph expose, “Harbingers of the Future,” on the original CLEET graffiti, bringing to attention of a capitalist who saw its appeal as a vagabond dancehall, a utopia of meaningful fun.

[For The Compete Short Story Click the PDF Below]

(2054) Vagabond’s Ways, A

 

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